Author’s note:
This story was really difficult to write. I realized I knew nothing about
everyday life in the 1960s, especially how women were expected to act, and so I
found myself summarizing a lot. I found it really difficult to give anyone a
personality because I wasn’t sure how what they did would fit into the time
period. I think a lot of the comments the mother is making are too shallow or
obviously mean, but I couldn’t figure out how to create other moments that
would be more appropriate. I also think the pacing is really slow, but I’m not
sure what to change to fix that. I couldn’t figure out a good ending, and I
think the way it is now seems too abrupt. I wanted to focus more on the early
relationship between Eddie and Stan as well, but the relationship between her
and the mother in law seemed to take over completely. The ending is full of
problems, I know. I wasn’t sure how to end it, and I knew that there was going
to be so much revision already so I just ended it.
Newlyweds
Stanley turned right off of the
main drag and started down a long, narrow road. This was the first time Eddie
had been to his parents’ house. They lived ten miles from town, five miles past
the new housing development that was being built. The billboard had a blonde
woman wearing an apron on it and said, “New homes! Affordable! Buy now!” Stan
had joked that they ought to buy and settle there, to be close to his parents.
She let out a “ha-ha” sort of laugh in response. The road they were on was full
of holes, and Eddie kept bouncing up and down in her seat. She reached back
behind her and put on her seatbelt. Stan slowed down. Fall was her favorite
season. She grew up in the southern part of Florida, where there weren’t really
seasons, and seeing the colors of the changing leaves was her favorite part of
coming up to the panhandle. The trees on
either side of the road were tall, and the forest behind was thick. Even though
all of the leaves were on the ground, making up a thick orange carpet, she
could barely see more than a few feet in.
“And
we’re here,” Stan said as they turned off of the dirt road onto a smaller dirt
road, which she took to be the driveway. She thought she could see a few other
colors poking through the trees, and all of a sudden they emerged into a fully
developed neighborhood. There were rows of houses evenly spaced apart in
varying colors. Blues, yellows, pinks and whites. Some children were playing in
the front yards and in the streets. Eddie wondered how they all survived so far
away from society.
Stan
pulled up to a blue house at the end of a cul-de-sac. It looked like his
brother and her wife had just arrived. The trunk of their car was open and
their luggage was sitting on the driveway. Stan’s brother, Rob, was a few years
older than him and had gotten married the year before Eddie and Stan started
dating. Her name was Ally. She was that perfect height right between average
and short, and her hair was blonde and fluffy, almost like a cloud.
“Stanley!”
his mother yelled as he parked and got out of the car. She practically ran over
to hug him, walking past Eddie without a second glance. Her name was Helen, and
Eddie always got the feeling that she didn’t like her. She was a short woman
with dark brown hair and brown eyes that, when Eddie had a little too much to
drink, she swore they could see into the depths of your soul. This was the first weekend she will spend
with Stan’s whole family. They had only been married for a few months, and
since they met in college in south Florida she had never been up here. They
were at the wedding of course, and they had all eaten dinner together, but she
had never spent any prolonged time with them.
“Edna,”
she said, looking over at her from across the car. “My, you have filled out
since we last saw you at the wedding. You look fabulous.” Eddie felt her neck
and cheeks begin to blush. She hadn’t even gained any weight. Stan seemed oblivious
to the ways his mother treated Eddie. She looked to him, but he was just
smiling. Ally walked over to give her a hug. “Welcome to the family,” she said.
This was going to be a long Thanksgiving.
The
men gathered up the luggage and went inside. The house wasn’t small, but it was
no mansion. There were three bedrooms upstairs. This was the home Stanley grew
up in, and they were staying in his old bedroom. It only had a twin-sized bed,
so there was a small air mattress set up on the floor, not leaving much room to
walk around. They would be sharing a bathroom with Rob and Ally. The walls were
covered in posters of baseball players and cars. Eddie had never been one for
sports, but she recognized one or two names. His trophies from high school baseball
and football lined the top of the dresser.
The
rest of the house was what you would expect. Family photos lined the hallways
and the boys’ school photos covered the staircase, a higher grade with each
stair. The living room was covered in green. Green shag carpet with matching
wallpaper. The kitchen was covered with wood cabinets and floral wallpaper. The
dining room was a rich red color with a dark wood table. There was a glass
hutch that kept all of their china and crystal and a family portrait on the opposite
wall.
Dinner
was uneventful. The women sat on one end of the table and the men sat on the
other, with Mr. and Mrs. Harris at each end. They talked about the different
recipes Mrs. Harris would use for the thanksgiving and which magazines she got them
from, while the men discussed politics. Eddie would have much rather been
involved in their discussion.
After
the dinner the men smoked and had drinks. Eddie helped a slightly drunk Stan up
to bed, trying not to make too much noise, since Mrs. Harris had gone to bed
earlier. She tried not to disrupt the bathroom too much, putting back
everything she way she found it.
The
next day, the women planned to go to the grocery store together. Eddie thought
it unwise to leave the shopping for the meal until the day before, but it was
too late to change that now, and she was sure that if she said that Mrs. Harris
would fire back a perfectly acceptable reason for waiting.
Eddie
and Stan were in charge of cooking dinner that night. Stan insisted that they do
fondue. He said it was a tradition they started while he was in high school.
She hadn’t ever done it before, but had seen it on TV. The women split up once
inside, each with a different list. Eddie had her own ingredients to buy, along
with those that Mrs. Harris gave her. She quickly put blocks of cheese into her
cart, along with different vegetables and meats. Then she went over to the
baking section to buy the ingredients for the flour. The store was unfamiliar
to her, so she ended up walking the wrong way to the other end of the store,
where she ran into Stanley’s mom.
“Why would the
baking supplies be near the deli? Obviously it’s by the bread.” Eddie thanked
her, and walked away cursing under her breath. Of course, the items on the list
were as general as possible. It said to get flour, but there were two different
brands. She chose the one to the left, picked up a can of pie filling and met
the other women at the front.
“You chose this
type of flour? What, were you raised in a barn?” Mrs. Harris said, holding up
the bag.
“I’m sorry,” Eddie
said, angry. “You didn’t specify a brand—”
“I didn’t think
I’d have to. I’ll be back, you girls go ahead and check out.” Eddie took a deep
breath so she didn’t blurt out something she would regret, and Ally patted her
on the shoulder. They finished quickly, and while they were waiting towards the
door with their purchases, an employee walked up and asked if they needed any
help. “Oh no,” Eddie answered him, “we are just waiting on Mrs. Harris—”
“Mrs. Harris?” She
breathed, out of breath. “The way you talk you would think we weren’t family!
Edna, you know to call me Mom.” She put her arm around Eddie and squeezed, like
she was hugging her. Mrs. Harris had never said anything like that. In fact,
she had introduced herself to Eddie’s family at the wedding as “Mrs. Harris.”
She could only call her Mom, she thought, if she thought of her as an evil
stepmother. She pictured her wearing Maleficent’s outfit from the recent Disney
movie and relaxed.
That afternoon,
Eddie worked hard in the kitchen preparing dinner. Stan had spent all day with
his dad and brother, hardly paying her any attention. Mrs. Harris, or Mom, as
she was now to call her, had been hovering over Eddie all day. She had given
Eddie the recipe for her famous fondue cheese (which was just blocks of
Velveeta cheese) and watched her from the small kitchen table. Eddie had taken
special care to fix her hair that morning, but now there were flyaways and
stray hairs all over her face.
Eddie
miscalculated the time for how long the chicken pieces would take to cook, and
so dinner was about thirty minutes late.
“I’m so hungry I
could eat a horse,” Mrs. Harris said as they sat down. Eddie had set all of the
different meats and vegetables on the table in different serving platters. Eddie
sat down last and noticed Mrs. Harris looking around the table. “Mom,” she
said. It still felt foreign on her tongue. “Can I get you something?”
“Where is the
bread?” she asked. Eddie’s heart sank.
“We don’t usually
have bread when we do fondue,” she replied. Everyone else around the table
tensed up, looking to Mrs. Harris.
“Surely you
checked with Stanley and he told you that bread was my favorite.”
“No, I didn’t. I
wish you would have said something. I would have made it if I’d known.”
“Well,” she said
smoothing out her napkin. “It’s no matter now.” Eddie stabbed her chicken with
her stick more forcefully than she needed to.
After
dinner she pretended she didn’t feel well so Stan would go up to bed with her
early.
“Your
mother hates me.”
“She’s
just particular,” he replied. He was lying down in his bed reading a book.
“Stanley,
have you heard the things she’s been saying to me?”
He put the book
down. “She’s just stressed. There’s a lot of people staying here.”
“She’s always been
like that,” Eddie insisted. “Do you remember our wedding? She criticized
everything.”
“She just wanted
us to have the best.” Eddie reached over and turned out the light. “She’s my
mom, Eddie. Try to be nice.”
“I will if she
does.”
Mrs. Harris put
Eddie and Ally to work all day cooking. Mr. Harris took care of the turkey, and
Stan and Rob watched football all day. Mrs. Harris had put out snacks around
lunchtime, and they were gone before Eddie had the chance to eat any.
When all they had
left to make were Mrs. Harris’ famous mashed potatoes, she kicked them both out
of the kitchen. A little while later Eddie realized she forgot her glass of
water, so she went back in. She figured she couldn’t see anything too
revealing, since she probably just got done boiling the potatoes, but when
pushed open the door she saw Mrs. Harris pulling out a steaming container from
the microwave.
Seeing Eddie, she
gasped and tried to stand in front of them.
“Why
are you pulling potatoes out of the microwave?”
“I
told you to stay out of the kitchen.” Neither woman moved.
“So
that’s your ‘special recipe?’ Frozen?” Eddie moved closer to her, and she
raised her chin and looked her in the eye. “Do they know?”
“No.”
For
the first time, Eddie finally had the upper hand. She thought of all the
comments she had made all week, the way she had been humiliated. But instead of
blackmailing her, Eddie touched her arm and said, “Don’t worry, your secret is
safe with me.” Mrs. Harris breathed a
sigh of relief and smiled.
They
all sat down to eat, Eddie sitting next to Mrs. Harris. Mr. Harris said the
blessing and they began eating.
“Eddie,
would you please pass the potatoes?” Mrs. Harris asked.
Eddie
smiled. “Of course.”
Despite all your worries about the historical trouble, pacing, ending, and lack of focus on Eddie and Stan, you’ve got a story burgeoning. The story seems primarily about Eddie’s relationship with her mother-in-law. Stan acts as an intermediary, though he mainly defends his mother, it seems. You have a web of characters here. The only advice for the historical details is research. The story seems slow, I think, because not much happens, and because the characters, besides Eddie and Mrs. Harris, don’t do much—they watch TV, talk plainly at dinner, etc. Try to maintain at least one interesting thing in each scene. The tension between Eddie and Mrs. Harris was the most interesting thing to me in this story, but you can add more to complicate it. What if Mrs. Harris is using Stan to try to manipulate Eddie? What, at bottom, is Mrs. Harris’ deal? Is she just a grump or is there something more? Does it have to do with Stan? You can make a lot of interesting scenes by fleshing out the complexity of the relationship. For example, the idea of the final scene, Mrs. Harris getting caught with the mashed potatoes, is funny and sad, in a good way. It shows the pride she struggles to maintain and another household tension you can explore.
ReplyDeleteYou can make your ending less abrupt by hinting at it throughout your story. Show glimpses of Mrs. Harris’ instability earlier in the story. Foreshadow the ending. Lastly, you say you want to focus on Stan and Eddie more. Do this. Part of what takes up their limelight is Rob and Ally. What do Rob and Ally do for your story, though? I can’t figure out. Consider deleting them and adding in more Stan and more Mr. Harris. Then your story will be more focused, which will, I think, most likely make your story more alive.
I have a really hard time writing in third person, so I have to say that the work you do here in third person is pretty impressive. I liked the first paragraph. We get character and setting and situation. The story has a lot of potential to be an interesting period piece about differing ideas of family value and about the ways that people (Stan) can be oblivious to one loved one because of a genuine care for another loved one. Some ideas about these things and about communal conflict and generation gaps are already in the story to some extent.
ReplyDeleteSome of the moments of “telling” can be left out or written differently. I am thinking of the first moment with Mrs. Harris, where it is mentioned that “Eddie always got the feeling that she didn’t like her.” Also, “This was going to be a long Thanksgiving.” These things mostly distract from the content of your story which is already apparent in the character dynamics. Gender roles seem intentionally present here. Maybe that would be something to develop further as a point of contention. I understand if you only want it to be in the background, though. It is definitely one issue that was a strong social and familial source of conflict at the time. I would agree with you that the mother is unrealistically mean. I like the more sarcastic side of her. A less direct mean or a mean that changes in front of Stan could more interesting.
The ending cracked me up. I would love to see you make that scene a little bit longer though, but I loved the idea of her using frozen potatoes. I think that Stan needed to interact a little bit more than he is already, he just seems a little flat other than defending his mom. It felt a little unrealistic to me that he wouldn't notice his mother calling his new wife fat, especially since they are in, or should be in the honeymoon phase, which I feel like you might want to play that up a little more. I feel like newlywed couples, even ones who get divorced eventually, are touchy-feely and that could be a pressure on Mrs. Harris being protective of her son. I don't think having Rob and Ally there does much for your story, except Ally giving her emotional support. I think if you cut them, you won't have as many characters to worry about and we can get to know the remaining characters better. I want to see a motivation for why Mrs. Harris was being such a bitch. I know that stereotype about mothers-in-law but I wanted to be shown why she was so mean. But I really like Eddie as a character, I have from the first story, and I liked that you chose to connect the stories by her.
ReplyDeleteI do agree with you that you do have lot of summary in this story but I think with revision you have some good direction to go in. I think the story's strongest feature at this point is tension between the mother in law and new wife. I think the umbrella of the story could be they don't see eye to eye but something happens to change the characters opinions of each other.
ReplyDeleteI also think that with revision a suggestion for eliminating summary, is that you read each passsage of summary and try to see if you can make something active out of them. Because right now, we have shopping, exposition and characters that watch tv all day and you don't see much interaction that usually goes on during Thanksgiving.
Jenny,
ReplyDeleteA big thing in this story that caught my eye was in the beginning and it was your use of colors as a means of describing setting, both places and people. You do such a good job of explaining Eddie's personality through her desire for seeing these colors. As an idea for revision you could make this a more prominent theme throughout the story.
With the notion of the two main relationships: Eddie and Stan & Eddie and Mrs. Harris, make the focus be between Eddie and Mrs. Harris and use Eddie's relationship with Stan as a means to draw out this battle between tradition and change. To do this, start the story with the end of the wedding and show the harshness Mrs. Harris was giving Eddie. You mention a lot of things that have happened between these new family members and I think you should make scenes out of them.
In regard to the pacing, slow pacing is not bad pacing and I feel like you were too worried about that and it caused some scenes to speed up and makes the reader feel rushed. I feel like if you did keep a slow pacing it will allow your characters to fill out.
The ending, if you want to keep it, go into more detail about Mrs. Harris's attitude toward wanting complete control of the kitchen and her tradition of making the foods she does. Also expound on the encounter. Slow the pacing way, way down and get really into the scene and the emotion of both characters.
I think the most obvious criticism I could offer is that it needs to be longer–the addition of several more scenes, especially ones involving the entire family, could help to develop tension and make the characters more complex. For example, how does Ally manage to deal with her mother in law’s criticisms? Why does Mrs. Harris hate Eddie so much in the first place? How does Stan and Eddie’s normal life differ from the life the Harris family lives? You describe the neighborhood like the typical image of 1960s suburbia–could Mrs. Harris’s hatred be a manifestation of her boredom with the possibilities allowed her by the culture of the times, or a repressed jealousy of Eddie’s youth, opportunities, etc? Developing Mrs. Harris in complexity will be a significant aid to the story. I think Stan needs to be more unique too; right now he’s just an oblivious, Mad Men-esque boozy husband. How is their marriage going? Does Eddie sense tension in their relationship brought on by the family troubles? What’s her own family interactions like? These are all questions that could be fleshed out to give the story more life. I don’t think it’s the level of distinctive detail about life in the ‘60s that’s the principal problem (though it could always benefit from more specific detail), more that the framework of the story that incorporates them just needs to be stronger. There are some places, though, where I could tell you were having difficulty describing aspects of everyday life: phrases like “The house wasn’t small, but it was no mansion” and “what you would expect” don’t really say anything.
ReplyDeleteI really liked this story. You did a great job at creating tension. The whole thing felt very 1960s so good job there. I could see the house they were in and feel the hate. Some of the hate, I think, felt a little artificial. When the mother asks Eddie if she was raised in a barn, I think this was too harsh to believe. I think a more realistic conversation would go.
ReplyDelete"Why did you get this brand?"
"I didn't think it mattered."
"Don't you think (Brand B) would be better?"
"I guess, I'm sorry, you didn't specify."
"I didnt think I'd have to. I'll just take care of it myself."
Loved the ending and Eddie taking the high road. Great story.
I think you do a lot of great "world building". What I mean by that is you set up your setting really well and describe everything nicely. You did a good job of creating your 1960s environment. That being said, I think the thing you should go back and revise is the dialogue. Some of it has an unnatural feel to it. I would toy with it a bit and try reading it out to yourself to see if it sounds better. Other than that, I think you have a good first draft. Good job.
ReplyDelete