Author's Note: This story is based on my parent's meeting, with some fictionalized parts. I feel like it can be way, way expanded upon, but I like it for what it is: a tribute of sorts to my parents. I don't like all the description or the dialogue, but i hope that's what you guys will help me out with. Thanks for the feedback!
“It should have been her.” Gin and
tonic brought out the best and the worst in me. My sister knew exactly what I
was doing. Every family gathering came around, and so did the regret. I would hide
any issues when my father was around, but since he dropped dead out in the
garage years ago, there was no reason to anymore. My sister and my mother tried
to make the best out of this Christmas, and it was nice, but my mind was
preoccupied.
“Not
this again. Come on, Jerry. What happened to the girl you met at church? I
thought you two were going out?” Yes, I did go out with the church girl, and
yes, the few dates we went on weren’t that agonizing. Then she took me back to
her apartment to watch television. Star
Wars was coming on, and she had never seen it. She was in for a treat, or
so I thought. I sat on the couch in her living room, which was covered in the
bright décor that defined the new-wave era. She had a poster of The Psychedelic
Furs right above the couch, as opposed to a painting or a family portrait. She
had been out of the room for a while, and I began to worry. I felt so painfully
awkward, sitting there by myself in the living room of a girl’s house. I heard
her coming back in, so I stopped worrying for about ten seconds. I looked back
to the entrance to her bedroom, only to find her leaning on the door frame. She
was naked, and was inviting me to come to her. To cut the details short, I left
immediately.
Now, I’m sure
you’re wondering why I didn’t, right? It wouldn’t have been a big deal, it
would’ve been fun my friends might have told me. The girl was nice, and she was
pretty. It just wasn’t her. She wasn’t the one.
“It
didn’t work out.” That was all that needed to be said. Regardless, Cheryl
seemed disappointed. We used to be very close. We still were, but we used to as
well. We grew only in frustration lately.
“Why do you keep
doing this? You need to move on. You should also probably stay away from the
alcohol closet.” She took the glass away from my hand. I tried to reach for it,
but the time it took for my brain to process that demand and send it to my hand
had increased tenfold.
“Let’s have a nice
family Christmas.” I looked up at the top of the tree. There sat the little
angel, leaning way over on her side. She looked like she was about to fall, but
she somehow held on to that tiny little tree top without falling.
“Okay.”
The time that
followed that conversation equaled a couple of weeks. Nothing of great
importance happened. I continued living in solitude while I finished obtaining
my engineering doctorate. I did the only thing I knew to do: I kept moving
forward. Still, I thought about when I first began college. I made near-perfect
grades, and very little mistakes, academically speaking. My greatest mistake
was giving in to stress so easily. I needed to cut something out of my life so
I could focus, so I let Shana go. By the time I came back around, someone else
go her. I did a lot of searching for someone who had connected with me like she
did. Obviously, that had worked out well up to this point.
I heard a quiet
tap on my apartment door. I slouched out of bed and went straight to the door.
The wonderful thing about efficiency apartments were that I didn’t have to
reach far to do anything. I opened the door, and there stood Cheryl.
“Hey.” She had a
big smile on her face. I smiled back. It was always nice to have company,
especially someone nice like your sister. She was good at cheering me up, but I
had no idea how far cheering up was going to go this time.
I made a pot of
coffee and unfolded a little table and chairs that I had intended to use for
company. We settled, and me being the host, started the conversation.
“So . . . how’s your job?”
“It’s good. The
kids are nice. There really isn’t a bad apple in the class this year.” She was
referring to her first grade class. Twenty or so little rambunctious creatures,
and you were in charge. I really didn’t know how she did it.
“Listen. You know
that I keep in touch with Shana every now and again, right?”
“Of course. Why?”
“Well, after your
little “episode” a few weeks back, I decided to give her a ring, and she and I
talked. Look, I don’t want to get your hopes up to high or anything, Jerry, but
when I last spoke to her, she had been going through a lot of issues with her
husband.” I started to phase Cheryl out, but stopped myself. She hated when I
stopped listening.
“She’s getting
divorced, and maybe I shouldn’t have done this, considering it’s right on the
tail of her divorce, but I asked her if she would be interested to talking to
you.” She paused. Oh my God, why the hell did she pause? I think she wanted to
see me transition from sorrow to hope. She used to tease me like this when we
were younger.
“Don’t you dare
play games, Cheryl.”
“I’m not, relax. I’m
being dead serious. She wants to talk to you. She gave me her current house
number. She told me that you can call her anytime between six and ten.”
She pulled out a
piece of paper and slid it across the table to me. I just stared. I was very happy,
but I was also terrified.
“Isn’t this what
you wanted, Jerry?”
“Yeah.” It was,
and now that the option was there I was unable to touch it. That little piece
of paper. In my head, I heard the whistle sound when Charlie finds the golden
ticket in Willie Wonka.
“I need to head
out, but I thought you would like to have this. She sounded really excited when
I suggested you two talk.”
“Thank you.” She
got up to leave, but before I allowed her out the door, I gave her to biggest
hug. She could be irritating sometimes, but she was the best at heart.
After she left, I
had a burst of newfound energy. I got out my record player, and my copy of Out of the Blue by E.L.O. I placed the
needle on “Sweet Talkin’ Woman.” I picked up everything around my little apartment.
I wiped down the kitchen, folded the clean clothes, and tossed the dirty
clothes into a hamper that I hardly ever used. I sang out loud along with the
song. I switched the needle to “Mr. Blue Sky”, and washed some dishes. Once
that was done, I looked over my apartment. I found myself looking back down at the
table at the piece of paper with Shana’s number on it. I pulled one of the
chairs out and sat down. I couldn’t even touch it. Not immediately, at least.
Eventually I was able to slap my hand down on it, and flip it around, revealing
the wonderful ten digits. It was a few hours before six, so I left the record
going. I returned to the comfort of my bed, plopping on top of it. There I
decided to stay, and I thought about everything from the past. I was thankful.
As I closed my eyes, “Starlight” came on, and I drifted off, dreaming about
that space where the sky becomes space, above the clouds. It was a nice dream,
if I’m recalling it correctly.
I awoke, and it
was nearly ten o’clock. I panicked, as I did not think I could handle another
day of sitting around, waiting to have even a moment to speak with her. I
collapsed out of bed and rushed for the table, which I ended up knocking over.
It collapsed, folding itself in. The piece of paper was fluttering in the air.
I attempted to snatch it a few times, but it kept weaving in and out of my
grasp. I finally grabbed it, and darted for the phone. I picked it up, and took
a deep breath so I could steady my fingers long enough to dial the proper
numbers. The phone rang, several times. Finally, I heard someone pick up.
“Uh, hello?” It
was Mr. Fuller, Shana’s father. I recognized the deep voice from the few times
I had met him. He was nice, but intimidating as hell.
“Hi, Mr. Fuller,
this is Jerry Helms. Can I speak to Shana?”
“Jerry, Jerry.” He
seemed to be pondering whether he could put a face with my name or not.
“Ah, I remember
you. Hold on, buddy.” Buddy? That was surprising. I heard him calling out in
the background, followed by silence. A moment passed, and I wasn’t sure if I’d
ever get to talk to her. Finally, there was a sound of someone picking up.
“Jerry?” Holy
shit, it was her. I was unable to form words for a second. I took a deep
breath, very quickly, and pressed on. I wasn’t going to screw this up.
“Hey, Shana. How
are you?”
“I’m doing okay.
How about you?”
“I’m great. Really
great.” I sat in silence for a moment, waiting for a response, only to realize
I instigated the conversation, she was probably waiting for me to ask or say
something.
“What are you
doing tomorrow around lunchtime?”
“I’m not doing
anything.”
“Want to meet up.
You know, talk?” I was killing it, I thought in sarcasm.
“Yeah. Except my
parents will be out, and I don’t have anyone to watch my children. Is it okay
if I brought them along?”
“Of course, that’d
be wonderful.”
“Where exactly?”
“Would it be
really lousy if we just met up at McDonald’s downtown?” I was a bit low on cash
at the moment. I felt so bad suggesting that, but it’s all I had. I sure as
hell did not want to bring her and her kids into my tiny little apartment.
“Sure.”
“Okay, well, I’ll
see you tomorrow at noon?”
“Sounds good. I
look forward to it.”
“Well, I’ll see
you then.”
“Okay.”
“Bye.”
“Bye.”
It was like we
were going on our first date again. Awkward asking out and all. Except it wasn’t
1973, it was 1983. I laid in my bed, somewhat relieved that the phone call was
over. I was excited, in fact. Why shouldn’t I have been? I had the opportunity to
throw out my greatest mistake. I closed
my eyes, and went to sleep.
The next day came,
and I scrambled to find the nicest looking clothes that I had. I ultimately
decided on one of my church outfits, and headed out to McDonalds. The drive was
nice, I even rolled the windows down. It was bright outside, but that was okay.
It could have been raining, but we lucked out.
I got there early,
because I always liked to be fashionably early. It gave me time to mentally
prepare. So there I sat in the middle of McDonalds, in church clothes, waiting
to meet up with the girl of my dreams. The entrance opened and closed several
times, and each time I panicked. When she finally came through, I had been so angsty
that it just didn’t even matter anymore. She was carrying her youngest, and the
two other children followed behind her. She still looked lovely. The children,
all blonde, shared a lot of the looks.
She grabbed a
child seat for her youngest, and sat him in it. She sat down, and the other
children followed.
“Hey.” She smiled.
I could tell that this meant just as much to her as it did to me.
“Hello, Shana.”
“Kids, this is Mr.
Jerry. Can you say hello?”
The oldest, a boy,
reached his hand forward. I shook it, laughing. He had a demeanor that
suggested he wanted to act older than he was.
“Hi, Mr. Jerry. My
name is Drew.”
“Hello, buddy.”
The second, a
girl, did not make eye contact. She did not look much younger than him.
“I’m Courtney.”
She seemed very shy.
“Hi, Courtney.”
She went and hid behind her brother. Shana put her hand on her youngest, who
sat in a baby seat.
“This is Matthew,
he can’t quite speak yet.” The child was very happy, bouncing around in his
seat.
“Mom, can we go on
the playground?”
“Sure, but come
back in about ten minutes. Are you wearing your watch?”
“Yep!” Drew showed
off his little blue watch.
“Okay, have fun.”
Drew and Courtney ran off, leaving me with Shana and her infant child.
“So what have you
been doing?” She seemed just as curious as I was about her life.
“I’m still working
on my doctorate, and doing some side work here and there. I’ve just been taking
my time, although I’m so close at this point, I might as well take on a heavy
load next semester and get it out of the way. What about you, when did you
finally graduate.” She looked down for a second, fidgeting with her hands.
“I didn’t.” She had
sadness about her face. I could read so much pain just from that expression.
“It’s never too
late to go back.”
“I know, but I
have three kids now, it’s a bit of a balancing act. I get my parents to help
out, but I can’t just dump the kids on them constantly.”
“What about their
father?” She didn’t say anything for a while. She let out a deep breath that
was from deep within.
“He’s not really
involved. He and I aren’t on good terms, obviously, but even trying to talk to
him right now is just so—“
She stopped, clenching
her fists. She showed signs of frustration. We were heading in a direction in
the conversation that I didn’t think we should go. I placed my hand on hers. She
looked up, and smiled.
“It’s okay. We don’t
need to go there.” I smiled at her. She smiled back, with her green eyes and
blonde hair. She didn’t look any different.
“Let’s get some
food.”
“Okay.” We got up
and ordered. Happy meals for the kids, and a couple of hamburgers and a large
plate of fries for us. When we settled back down, I did my best to direct the
conversation in a positive direction.
“So Cheryl contacted
you?”
“Yeah, we kept in
touch after all this time. I don’t think she wanted to tell you because, well,
you know.”
“Oh I know.”
“We talk every now
and again. She’s a hoot.”
“You have no idea.”
“She called me up
a while back and told me you wanted to catch up, and to be honest, I wanted to
catch up too. I missed you.”
“So have I.” There
was silence for a moment. I couldn’t take it anymore.
“Shana, I need to
be blunt. I just wanted to say I’m sorry. I was really stressed out and I
wanted to focus on my schoolwork for a bit. I never meant for it to be
permanent. When I heard that you were with him, it just kind of crushed me. I
beat myself up every day that I wasn’t with you. I never found anyone that was
who you are.”
“It’s okay. I know
I was mad when you broke up with me. To be honest, though, you were being
really responsible. We couldn’t just be together all the time and not focus on
the steps that get us further down the path. Then I met Damon, and everything
just fell into place so fast. I rushed into that, and it was such a bad idea.
It is what it is, though.”
“Plus, you have
some cute kids. Especially this guy.” I tickled Matthew, and he laughed. So did
Shana.
It wasn’t long
before the kids came back and we all sat together. Drew had a Star Wars toy that
came with his happy meal, and he told me about his favorite characters. I tried
my best to keep up, but he was so excited, he spoke at a speed that I don’t
think anybody could have kept up with. Courtney kept to herself and played with
a little Barbie doll that came with her happy meal. Shana and I ate our
hamburgers and split our fries. It wasn’t the most elegant meal, but it was
nice to have a “family” type of experience with Shana. After everyone was done,
we got up to leave.
“Can I walk you
and your kids to the car?”
“Sure.” Shana
grabbed my hand.
On the way out of
the entrance, Drew dropped his Star Wars action figure. Before he could pick it
up, a stranger did, and gave it back to him. He wore a trench coat, and a
fedora, an odd choice of clothing for this time of year. He stood back up and
grinned at us.
“Drew, say thank
you to the man.”
“Thank you.”
“You are most
welcome, little one.” The man looked back at us. I can’t quite recall what he
looked like. I just remember the smile being a very distinct feature.
“Your kids are
very cute,” he said.
“Oh, well, they’re
mine. Not his, though.” Shana was very quick to point that out, though I liked
the idea of calling them my kids. It was something to work towards, hopefully.
“I’m sure the ones
you will have will be just as cute.” The man walked away. What a strange
comment. I also liked his implication though. We collected ourselves and left.
Outside, we made
our way to Shana’s car. It was a black Buick that could’ve used some work.
“You know, I can
fix the paint on your car, and anything else that might be wrong. I’m good with
cars.”
“I bet you are.
Kids, go ahead and get in the car, I’ll get in soon.” The kids got in the car.
“Oh, hold on.” She
took Matthew around to the side door that opened up to a baby seat and placed
him in. She shut it, and came back out to me.
“It was go seeing
you.”
“Yeah, you too.”
She gripped my hands.
“I missed you.”
“I missed you too.”
What happened next was probably not the best idea, but I was in the best moment
of the best day of my life up to that point. I grabbed her and leaned her over,
like the couple on the box cover of Gone
with the Wind. I looked her right in the eyes, and told her exactly what I
was thinking.
“Shana, I am never
letting you go again.” I kissed her, for what seemed like a long time, but I
know I couldn’t because her kids were waiting in the car, and were we in a McDonald’s
parking lot. I brought her back up, and let her go, but only for a little while
this time.
“I’ll see you soon.”
She smiled at me and opened the car. Drew leaned out from the back seat.
“Mommy, you were
right, he does look like Superman.” She told him to hush, and shut the door.
She smiled at me once more, and pulled away. I stood and watch the car go away,
then head to mine. As I walked back, I happened to look back inside the
McDonald’s, and there sat that man in the trench coat. He was watching from his
seat. He smiled, and nodded his head at me. You know, I was so happy in that
moment, I really didn’t give a damn if he was watching. I nodded my head back
at him, acknowledging him. I walked to my car, and thought about what I would
tell Cheryl on the phone when I got home. I couldn’t believe what was
happening, but I was very happy. I didn’t care about the past, or all the
regret that came with it. I wanted a slice of what was next.
Some parts of the voice that you develop in the beginning work really well, I think, in the sense that my attention was gotten pretty quickly. Any more sorts of unconventional ideas you have for narration would be worth at least trying out for a story like this. The phone call stood out as well done because of how clear it was. I felt like I understood there what was happening and why it was happening and there was some amount of tension in it. The moment before she arrives at McDonald’s was really nice. It was very specific, tense, somewhat comic, and injected with the particular emotion of the character.
ReplyDeleteThe voice that I mentioned that is most prominent at the start does need refining, though. The reason that the clarity of the phone call stood out to me was because everything before it is somewhat confusing. I found myself a few pages into the story without a decent idea of what it was about or even what was happening in front of me. Dialogue tags might be a good first step for that, and then just some connections between sentences and paragraphs. Personally, I thought the story needed some more pressing conflict. I see the regret and the anxiety, but it just seems like this character was just going through his life fine until this moment, and the beginning gives no reason to think otherwise. Plus, regardless of precedent in reality, the proximity of these events to the woman’s divorce is a little unsettling.
I think there are some nice moments here when the narrator is self-aware of how strange his situation is, like the incongruity of “So there I sat in the middle of McDonalds, in church clothes, waiting to meet up with the girl of my dreams.” Those moments work. But I’m left searching for some sort of conflict in the story that I didn’t find upon first reading. There are hints of it in the beginning, when he rejects the girl from church, but from the moment that he decides to call Shana, everything pretty much works out perfectly for him. Their relationship is built up as so important in the narrator’s life and so momentous, yet we really don’t know anything about their previous relationship, besides the quick summary we get here: “My greatest mistake was giving in to stress so easily. I needed to cut something out of my life so I could focus, so I let Shana go. By the time I came back around, someone else go her.” The reader needs to see more of their previous relationship to make his attempt at reconnection more meaningful. Shana doesn’t seem to have much personality, either. She agrees with everything the narrator says and seems just as anxious to be with him as he is with her. Also, the presence of the “mysterious man” doesn’t seem to have a lot of purpose in the story besides linking it to your first one.
ReplyDeleteGriffin,
ReplyDeleteYou have a really nice story. I like that it has a happy ending, but I think there needs to be more conflict spread throughout. Even small things, like getting in traffic and almost being late to the McDonald's, would add a lot to the story. I'm not sure what the beginning of the story does, other than establish his past relationship with Shana and the relationship with the sister. The sister, too, seems like just a device for getting Shana and Jerry back in touch with each other. It might be more interesting if he ran into her in the grocery store or in front of her lawyer's building or something.
I found it unbelievable that the girl he met at church just spontaneously took her clothes off and tried to sleep with him. He seems to be religious and attend church regularly, but I don't see that playing into his character much. You might want to play up the church stuff or just cut it out of the story.
I too thought that the man in the trench coat was just there to connect the two stories. You might want to try connecting them through a different link. Maybe Shana's daughter loves space, maybe he is getting a degree in some kind of space engineering, etc.
I think the descriptions you had were good, you just need more of them. Don't forget to describe how things feel or smell as well, not just how they look. I think the voice was very distinct in the beginning, but got flatter as the story went on.
Overall, a really good story, great job.
This is a sweet story and I like it. A second chance at a missed romantic opportunity is a really cool story to tell. This kind of story is naturally very interesting to a reader, and that gives this potential to be really great. I agree with some of the above comments that some of my favorite scenes were the phone call and the waiting in a McDonald's. Lots of comedic tension were in both of these scenes.
ReplyDeleteSome places I think could use a little work are here:
Some of this story feels a bit like I'm being spoon fed. Some descriptions of actions are repeated and it feels a little redundant. An example of this is: "She clenched her fists, showing signs of frustration." The clenching of fists already shows us frustrations so I don't think we need the additional detail. There are a few instances of these and they should be easy to revise.
Another thought I had was the inclusion of the fedora-wearing trenchcoat man. I'm not sure what his place is here, or if he even has one. I like the idea of having a mysterious presence, but even when I think back to your first story, I'm not sure what his purpose was there either. In this story, he vaguely tells us that the two will end up together, which we already get from the fact that they kiss in the end. And in the first story he tells the protagonist taht he will die, but we already get that info from the doctor. If you want to include this mysterious presence, I think you should give him a stronger reason for being there, because right now it seems to distract from what your story is really about.
Lastly, the kiss. I think this story needs to end with something to let us know the two will be together, but I don't think it needs to be a kiss. Keep in mind, she's getting out of a marriage with the father of her three children. I don't think she would be that okay with it if he kissed her, especially in front of her kids. I think what you do with the kid saying "You were right he looks like superman," is great. It shows us not only that she has been talking about him but that the kids will look up to him and it shows us a bright future. I don't think you need the kiss.
That's all I got. I enjoyed reading it!
The voice of your story is good in several places. One moment in particular is, “Now, I’m sure you’re wondering why I didn’t right?” Also, the sarcasm when he says, “Obviously, that’s worked out well up to this point.” You seem to have what’s at least a good story concept. I think you can flesh it out more though, especially at the end. Try one of the Lewis Nordan or Chekhov endings we’ve been talking about in class: jump ten years ahead or so to when he’s married to Shana and has adopted her kids as his own. However, here’s where you’ll run into trouble—that ending can easily fall into the cliché and/or melodramatic. Your story already suffers from a lot of clichés and melodrama. For instance, the narrator’s relationship with Cheryl (or at least the descriptions of it) feel cliché—“Biggest” and “best at heart.” Also, the phrases “girl of my dreams” and “clenching her fist” are clichés. The melodrama comes out most between the narrator and Shana. One factor is the hand holding. Would they feel this comfortable with each other so quickly? Would they do it around the kids? It seems that the story wants to elicit emotions by this action of hand holding despite the characters’ relationship not earning those emotions. The worst moment was when the Gone with the Wind part. That overdid it big time. To avoid melodrama and clichés, focus on inventive phrasing that sees the familiar in new ways. Make sure that the emotions you’re trying to express are earned by the characters and not too quickly precipitated.
ReplyDeleteTwo last suggestions for your final draft. One is to define a clearer tone for the story. It began in a serious loneliness and by the end felt almost wholly humorous (Gone with the Wind moment in a McDonalds parking lot). This makes the story feel incongruous. The tone will depend on what you want to achieve.
The second and final suggestion is to consider the story as standing alone. It seems that the man from the first story was brought in solely to link the two stories. I imagine a reader unfamiliar with your first story would feel lost about this character.
You have a good story here Griffin. I like a lot of what you are trying to imply here and the ideas you have for the story are good and interesting but they need fleshing out. I think for starters you need some more dialog tags throughout the story. I thought that your dialog was good for a majority of the story but I had a hard time who was talking. If you don't want to use dialog tags just give better indication to who is talking. The transition between the first and second scene(I'm assuming they aren't connected; I'd add some line breaks) is weird. This relationship is suppose to be this big thing and you only give a very brief description of what lead to the end. Another thing is I want to know more about this setting. Jerry's apartment, the McDonalds, I want more description of these. I feel like if you did that then you characters would get fleshed out more as were. Talk about Jerry looking at Shana and seeing how tired she is or something physical about her and have him react to it but have the reaction be affected by the setting.
ReplyDeleteThe last thing I want to say is about two scenes toward the end: the first being where Jerry bluntly tells her he was sorry for leaving her and he misses her and then she says the same thing back, it's a bit too cliche. Drag that seem out and add a lot more dialog. Have Shana get angry or have Jerry get angry. I just wanted to see some emotions in this scene because it is an emotional scene. Secondly the ending. Having them kiss like the box cover of Gone With the Wind is a big stretch for what could happen. I like the absurdity of that happening in a McDonald's parking lot but it seems to obvious and cliche to happen. You could make it so that in his head it looks like that but then he snaps back to reality and sees that it is really awkward but they both wanted it to happen but it is still really awkward. Play up the awkwardness of having something of this naturing happening in a McDonald's parking lot.
One last thing, in regards to the mystery man. I want him to be an observer and thats it. I feel that everything before the last paragraph is unnecessary and is too much of a genre/tone shift and it disrupts the story in an unpleasant way. Him simply observing is enough and it still works with the story.
Griffin,
ReplyDeleteI think you have a great skeleton and outline for a great story here. I love your characters, relationships, and circumstances and how they are all intertwined. You have really unique main character and I feel he is easy to relate to and will resonate with the audience well. I do think there are some things though that will only help the story out.
Looking at the page there are some problems and issues I have with the dialogue. Please separate and indent all dialogue in this story because there are moment when someone's dialogue runs into the thoughts of your main character and it's really confusing as to who is saying what. Also there is a section in the story where there are no dialogue tags and it is very difficult to know who is saying what based on how bland the dialogue interaction is at that moment. Spice up their personalities and give them unique characteristics to help distinguish the things that either person would say. I also have a problem with the McDonald's scene. I think this was an awesome place to have them both meet up considering their circumstances and where they both are in life. There is a moment though, that I feel they are too revealing and say things that read a little cliche for two people to actually say after not seeing each other or even talking for nearly 10 years. I would cut some of that dialogue and make it a little more realistic. I also have a problem with the make-out scene near the car. I think it read a little to cheesy for him to grab her and make out with a woman he hasn't seen in so long, and I also think it is inappropriate for her to make out with some seemingly random guy in front of her kids, which this is their first time seeing him. I would have them probably hug for a long time and maybe leave with a peck on the cheek. I think a few changes will go a long way in how realistic this story reads.
I like this story. It feels very real and the characters were really well developed. I wish I knew more the the past relationship with the main character and Shana. It feels like I'm missing something important. I wish also that it came in earlier because it would of h lied clear up some confusion in the first part of the story. Besides that I think the story is great.
ReplyDelete