Chapter 9
“If the wind picks up, we’ll have to
hide out on that ledge for the night. I
don’t know if it can hold our equipment, though, and the temperature is
dropping fast.”
The lights in the dining room of the
Grand Aleutian Hotel were painfully dim and the air was dry and cold. Midnight was approaching.
“Cody, if you could try that with
more of a context,” Nat said. “You’re
weary and freezing, and,” she glanced at Susan cautiously. “Maybe, you’re even regretting this trip. Maybe.”
“You’ve been up that high, Cody,”
Susan added. “Try to imagine that, and
as if you were a less experienced hiker.”
“Yeah, yeah…ok,” Cody said. He hunched his shoulders over the back of the
padded chair and cleared his throat. “If
this wind picks up, we’ll have to hide out on that ledge all night…don’t know
if it can hold our equipment…and the temperature’s dropping fast.” The ice machine whirred and sputtered down
the hall.
“Good, good,” Nat said. “Better.”
Cody had agreed immediately to try
acting. Nat was suspicious of the
seeming lack of thought that he had put into his decision. Susan was very excited about this
development, and had said so constantly since they had met Cody the previous
morning at Amelia’s to ask him. Nat had
given a slightly distorted summary of her screenplay, emphasizing the botanical
and geological aspects of the scenes in the wilderness, downplaying the film’s
critical attitude toward the romanticizing of nature, and omitting entirely the
story’s origin in the disappearance of her brother. Cody was exceeding her expectations at the
audition, but was not at all at the level that Jake had been. Nat thought about the work involved in
getting permission to scout and film at Makushin Volcano and wondered if her
film would ever be made. Her memories of
her brother were blurring, the embarrassing distance growing between her
present mind and his facial expressions, his way of speaking and his great and
tragic ambition. It sounded so trite,
and she had never worded it as such, but it felt like her duty to memorialize
him in this way. It seemed imperative to
document what were likely his final days as a testament to his strength and
weakness, his vulnerable desire that she found so deeply human.
“It’s kinda like the Odyssey,” Cody
said. “This dangerous journey.”
“Is that the only book that you’ve
read?” Nat asked.
“Well, no.”
“Odysseus is journeying home, away
from the real danger,” Nat said. “Violence
follows him to show him the madness of war and its glorification.”
“Yeah, duh,” Cody said.
“Your character is leaving home to
briefly find somewhere without financial and social expectations, symbolized in
his pushy parents.”
“I thought he liked hiking.”
“He does like hiking, Cody,” Susan
said with a dismissive glance toward Nat.
“We should continue the line readings.
Maybe workshop a couple scenes.”
Eugene’s head appeared from behind
the wall that separated the dining area from the entrance hall. His hair was still coiffed awkwardly and
coated with some thin gel. One dull
loafer stuck out from behind the corner into the room and the left arm of his
tattered burgundy vest was wrapped around, palm flat against the wall. He looked as if had stumbled across them,
lost and wandering. The ice machine
hummed, taking pleasure in underlining his intrusion.
“How’s everybody doing in here?” he
asked.
“If the wind picks up, we’ll have to
hide out on that ledge for the night. I
don’t know if it can hold our equipment, though, and the temperature is
dropping fast.”
“Wonderful,” Eugene said with a confusingly
genuine smile. “I’ll be in the lobby if
anything is needed.” He bowed
gracelessly and hurried off, taking care not to make resounding thuds with each
step of his stiff shoes on the thinly carpeted floor.
“Cody, let’s do the dialogue on the
next page,” Susan said. “Nat and you can
run that. Remember the context we talked
about.” Flipping the pages of their
scripts, Nat and Cody straightened up in their chairs, their knees moving
closer by inches. Nat glanced at Susan
with apprehension but Susan had not noticed.
Her neck was bent over the back of her chair, eyes closed in exhaustion. Nat began her side of the dialogue with a
dramatic pant.
“If tomorrow isn’t better, I think
we should go back. Call it a hike.”
“No, that wouldn’t make any sense. We’re this far, and…”
“Neither of us know the kind of shit
that might happen if we keep going. Maybe
this whole idea was stupid—”
“We’re not even going any higher in
elevation. Just around the mountain,
horizontally. The pass isn’t much
farther.”
“I’m leaving tomorrow if the weather
and ground don’t soften up. And you
should do the same—”
“Quitter,” Cody spat. And Nat saw her stubborn brother for a moment
in the dining room of the Grand Aleutian Hotel of Unalaska, Alaska, where she
had traveled on this thoughtless desire to make something for him, for
her. The entire idea was
delusional. What obstacle would fall
from the snowy peaks next? The acting
was mediocre, but Nat was thankful for Cody’s sincerity and effort at reading
her lines while they shivered and
squinted past midnight. Susan gave some
notes and requested that they start the dialogue again from the beginning, and
Nat began again with a soft waver in her voice.
“If tomorrow isn’t better, I think
we should go back. Call it a hike.”
That night, minutes before the sun
rose from behind the mountain ridge, the valley rumbled low and snow rolled
from the foothills in a short wave that dusted the air and woke the residents
of the west side of Unalaska. Nat was
getting tired of Amelia’s, but Eugene still restricted the coffee at the hotel
from guests. She thought this behavior
was strange from the normally courteous and friendly clerk. When she arrived with Susan at the diner, she
saw Cody sitting with his father in the corner booth, leaning in closely and
speaking with twitches and gestures of their hands on the table in front of
them. Barrie’s eyes found Nat and he
gave her a wide and fleeting smile. Nat
thought that Cody looked oddly rested for only sleeping a few hours. Nat heard a loud voice from the doorway and
turned to see Eugene shuffling into the diner, calling out to people that he
knew, his face changing rapidly between a generous smile and a tight-lipped
default stare. Nat had never seen him
outside of the hotel. It was
strange. He was wearing his Grand
Aleutian attire, except that he had removed the burgundy vest.
“Eugene, what are you doing away
from the hotel?” He turned toward her
and Susan, spun around in their barstools.
“Nat! Susan, hey!
I wanted pancakes.”
Nat marveled at Eugene’s
oddness. Barrie approached the two women
and began to discuss his fishing successes and the small avalanche of the
morning.
“Yep, that’ll happen pretty
regularly,” he said. “Of course, no
damage to the town. Probably a few Dall
sheep got a scare up in the cliffs, though.”
Nat did not know what a Dall sheep
was. She had decided the previous night
after Cody had left that they should cast him in the film. There was such a small chance of finding anyone
else that would be willing to act, and making a trip back to Los Angeles would
waste time that she did not have. She
could coach him in the more difficult scenes, attempting to channel the man
that her brother was through this new addition to her life. Cody sat in the booth in the corner, lifting
a fried egg precariously with his fork and stuffing the entire thing into his
mouth. It felt so definite, casting him,
like there could be no turning back.
They would be soon getting lost and found together in the story that lived
in her heart and in the proud mountains that surrounded them and stabbed the
blue Alaska sky.
_____
I really like the opportunity you've given future writers to reveal characteristics Nat loved about her brother through Cody and Nat's coaching of Cody, that will work great. And I think the story moves forward just fine, we've casted a lead and are probably ready to start shooting really soon (unless something were to happen...)
ReplyDeleteYou did a great job of solidifying and consolidating the connections made in previous chapters. This progressed plot and character: you show what the film means to Nat, you get into the film, you cast Cody. I feel like now we can really get into it. Also, really great scene when Nat sees her brother in Cody. Very resonate.
ReplyDeleteI liked the chapter! I think you characterized well and I think you moved the story forward with Cody's audition. I loved the part about her seeing her brother in Cody. That was really great!
ReplyDeleteI really like how you brought in the dialogue from the film, now we see a clearer picture of what it'll be and how much it'll mean to Nat. I think the revelation of the story's origin to Cody would be a good scene for another author to write in future chapters, as that could draw them closer. I also really like how you've established all of them as a cohesive group. Niiiiiiiiiice
ReplyDeleteThis is a really good chapter. I like to think that could even be a stand alone story but that's not important. You did a wonderful job of describing what this area looks like through the eyes of Nat: this still heartbroken sister of a lost brother; fighting to keep her emotional stability. Though that you give such vivid details of the sky and these long-winded sentences of Nat describing her friends and actions. Also I love Eugene's character. When you told me I'd enjoy him I was curious what you were going to do. I wanted a longer interaction between them, really just to finish filling out his character. Knowing what he wants from this story will complete him and the rest of the class can use him as they see fit afterwards.
ReplyDeleteThis is indeed a great chapter and was a great moment for character development. We get to see in Nat's head a little better and we understand her thoughts better.
ReplyDeleteI liked that you included pieces of the movie in this chapter. And I'm interested in seeing Eugene more as well.
ReplyDeleteThis is a well done chapter. I enjoyed actually getting more into the production aspect of things. Can't wait to see more character development.
ReplyDelete