They
would drive down the coast in his car. No music would be playing, just the
sound of the air that rushed through the cracked windows. He would scare when
he drove. He’d grip the steering wheel with both hands, noticeably on purpose, and
give her a quick look. Gradually, he’d step on the gas, inching his foot closer
and closer to the floor of his jeep. He did this a lot, but it never failed to
make her jump and grab his arm as he sped toward a red light. She’d open her
eyes and look at him with a big smirk on his face. The jeep would be stopped at
the red light with no one else around. She’d punch him in the arm as hard as
she could. Sometimes it actually hurt him. She knew it did, but he’d never
budge, flinch, or change his dumb smile. He’d kiss her on the forehead and
drive off.
After much convincing, the crew and
Sarah convinced Nat to let them have the weekend off. Nat had been trying to
preoccupy herself after finding out she was pregnant. It took her a week to
after quitting her medication to go get a pregnancy test. And even when she was
in the store it took her an hour and a half of walking around to just work up
the courage to buy it. The clerk was an older man who knew she was the one
causing talk in the town with her filming. Nat was blood red when she went up
to the counter but her face was claim. The old man rang it up and gave her a
look that was comforting, like he wouldn’t say anything.
It was Saturday. Nat just finished a
cup of coffee given to her for Eugene. This was the second time he had done
this. He never let her come in the back to make it; he’d just pour a cup
quickly and offer it to her. It was the best cup she’d had, but compared to
everywhere else in town, it was like the imported stuff her parents would buy.
Nat had to go and do something. She
couldn’t stand being cooped up all weekend. She tried working on parts of
storyboard she had for later scenes, going to various stores, shops, etc. The
problem was that she had been to every part of this town. She called up Sarah and
a few other member of the crew she was more acquainted with. Nothing came of it
though. All of them had slept in. Nat kept a tight shift of being up, packed,
and ready to go to the location they were filming at for the day by 8:00 sharp.
Sarah enjoyed bossing everyone around and since her breakup with Cody, Sarah
had become a bit of a bitch for lack of a better word.
The sun had just peaked in the sky
and Nat had decided to just call Cody.
“Hello?”
“Hey Cody. It’s Nat.”
“Hey!” He seemed cheerful. “What’s
up?”
“I know I said I wouldn’t bother
anyone this week. Everyone needs an off day I guess.”
“Even you Nat.” said Cody.
“Yeah whatever.” Nat smiled. “But
the reason why I’m calling is I was curious if you were busy today.”
“Let me check my agenda”
“Agenda?” Nat accidently let her
thought slip out.
“Come on Nat, I’m kidding, sure
let’s hang out.”
“Great.”
“What did you have in mind?” asked
Cody.
“Well, I had planned to go film the
ascent of the mountain today but sense we have the day off…”
“I have a good idea,” said Cody,
“why don’t we go practice the lines for that scene?”
“Are you sure your ok with that?”
“Sure. I really don’t mind and I’ve
already tended to everything I need to do today.”
“Wonderful. Oh! One more thing.”
“You want me to drive?” asked Cody.
“Do you mind?”
“Not at all. I don’t want you taking
those back roads in the rental car anymore than you have to. It’ll ruin the
undercarriage.”
“Yeah…” Nat was put off. Her chest
sunk and she sat down.
“Well, I’ll see you in ten, fifteen
minutes or so,” said Cody.
Nat mumbled something and hung up
the phone. She sat there on the floor. She seemed to be frozen to the spot her
legs had put her. She reached for her stomach, but some other force pushed her
hand to the blanket that was behind her on the bed. Staring at the window that
allowed the sunlight to be broken in through tiny ray beams in her blinds, Nat
created mountains in the blanket and collapsed them, repeating this process
over, and over.
Some way or another, they’d always end up
at his house. That was more her choice than his. It’s not that he hadn’t been
over before to her place yet or that she was embarrassed because of her living
arrangement. Honestly, her house was better than his, thanks to her parents,
but that’s why she always wanted to go to his place. She would stay at his
place for a few days at a time, shower there, pretend to live there, because he
earned his way. He paid his own bills with his own money. He worked hard and
reaped the benefits. She could see a spark in his eye that told her that she
could be her own self. She could create her own identity, like him.
Once they were on the road, Nat told
Cody to go the about ten more miles than she had originally told everyone. Nat
was getting worried that the locals were getting a bit to pushy with all the
filming. It was one of the reasons why she was making everyone work so hard.
She was trying to finish up all the scenes in the town. All they had to do now
was made it on the mountain itself. Nat decided last minute to push the filming
to a different, more discrete location. Her brother never liked the popular
trails he hiked, so what right did she have to film using that. Cody broke the
silence.
“So Nat, how’s life been?”
“Good, I guess.”
“Aside from all the filming
business, how are you doing?”
“Good, maybe? This film is affecting
my mental stability. There are days were I can’t stand to say the word “Action”
and there are some days where I want to call home and ask my parents to take me
back with their green hands. Some days I want to rebuild bridges that should
stay burned.”
“Have you been to the theatre here
yet?”
“No, why?”
“You should go there some time. The
guy who runs it is an interesting fellow.” Cody put a slow emphasis on the word
interesting. “He’s this Frenchman who moved here from Canada.”
Nat paused for a minute thinking it
over.
“There’s also a play of Macbeth
tomorrow,” Cody said. “You could go see it. Try and enjoy your weekend off.”
“That would be fun, actually.”
“You could bring Sarah so you don’t
have to go alone.”
“I wish. Sarah hates plays. She sees
them as to old fashion. Anytime I mention something involving a play, or
theatre for that matter, she allows has some snooty comment to make.”
“You can say that again.”
Nat thought about what to say next.
She wasn’t sure if she should bring it up but she was curious. “So, I’m
guessing you two aren’t friends anymore?”
“No.” Cody stared at the road. He
never lost his smile. It only became smaller.
“Would you like to go with me to the
theatre then? You can introduce me to your friend. I’m no good with formal
introductions.”
“Sure. That’ll be fun. I’ll be see
Macbeth again for the tenth time.” Cody laughed. “My friend has a few plays he
likes to put on and Macbeth is one of his favorites.”
The drive seemed to calm Nat’s
nerves a lot more than she thought it would. She had only been out here once,
and she was to busy worrying about her car getting messed up to notice how
beautiful the scenery was. Even if had noticed it before, Nat was the kind of
person to think that adoring the scenery was cliché. But something about being
in the passenger seat, and not having to worry about the people with her, and
making sure they weren’t doing anything stupid, or messing up her movie, all of
it made her stop. It made her look at the world and see this calmness in chaos.
She put her hand on he stomach, and stared at the passing trees.
I like that you included the flashback sequences, they're starting to give Nat's previous relationship more depth. The next author could either pick up with the filming of the ascent scenes, or with the play. It's up to them with what they feel is more important.
ReplyDeleteI'm assuming the flashbacks are her with Jack! I really enjoyed reading them! I hope we will get more of him in the next chapter!
ReplyDeleteI like the italics. I was unsure whether they were flashbacks or a new perspective on Cody, but we'll go with flashbacks. I will probably try to flesh out her past with Jack and develop the pregnancy/filming. Thoughts on where to go would be helpful.
ReplyDeleteA lot of great character work here for Nat. I like the ending when she gives in to what she feels is cliché or overwrought. The flashbacks are great because it is a sort of romantic setting that clashes with the Nat that we know and especially with the story so far in cold Alaska. This kind of playing around with character and setting ideas fits this story well. For some reason, this chapter, even its low-key feeling, seems like some sort of subtle turning point. The way that Nat opens up to Cody and their more comfortable interaction, the promise of the play, it all feels like we are changing directions, which is good. That needs to happen here. I just hope that the next few chapters continue this trend of slowing down and peeking into small moments while moving Nat forward and her relationships forward with the people of Unalaska. If Carson doesn't do it, I might write their visit to the theater.
ReplyDeleteFlashbacks were cool. Something we hadn't done before. #fresh
ReplyDeleteI really like the flashbacks and the bigger peak into Nat's head and what she wants as a character. I'm glad we're seeing her and Cody start to develop a relationship!
ReplyDeleteI didn't really catch on to the flashbacks very well so I don't really agree that those need to keep going in this way.
ReplyDeleteI liked the flashbacks and also this intimate scene with Cody, I thought it was done very well.
ReplyDelete